Encyclopedia.com. Delivered to your inbox! London and New York: Routledge. Coconut trees and torrid skies. Damrosch, David (2003) What Is World Literature? Segalen, 2002: 61). Bhabha, Homi. Durham: Duke University Press. The word in the example sentence does not match the entry word. Tanna invokes the exotic iconography of earlier South Sea films. "Jan van Vliet and Rembrandt van Rijn: Their Collaboration Reassessed", in: S. Dickey (ed. They conjure up ideas of a bountiful nature, fertility, and uninhibited sexuality. Not much Arctic exoticism. Segalens slim volume Essay on Exoticism: An Aesthetics of Diversity was posthumously published and is an unfinished fragment that reflects his impressions of Tahiti and China whereto he travelled between 1902 and 1919. ." Hou reduces the customary fast-paced battle scenes, which are the genres main attraction, to just a few brief moments. 1990. Papastergiadis, Nikos (2011). If we concur with Chow, then world cinema can never give a true or authentic representation of China, India, Africa or other cultures, since centuries of European cultural hegemony have conditioned non-Western filmmakers to see themselves through Western eyes. The visual pleasure afforded by exotic spectacle is arguably the chief vehicle that allows world cinema to travel and be understood, or misunderstood, as the case may be, by cultural outsiders who are potentially disadvantaged by a hermeneutic deficit of culturally specific knowledge when trying to understand films from elsewhere. These examples are from corpora and from sources on the web. Taking our cue from Al-Najjar (1989), the paper shows that employing Arabicisation can be through (1) loanword in which traits of exoticism are observed in Arabic; (2) loanblend: a hybrid form of the translated item consisting of two parts, one belongs to the Source Language (SL) and another belongs to the Target Language (TL); (3) translation . Kabbani, Rana. In fact, as Charles Forsdick (2001: 21) has persuasively argued, the exotic gaze is a perspective from the other side, from outside and across geographical [or cultural] boundaries. It depends on the maintenance of boundaries, lest cultural difference and the sense of astonishment and wonder it evokes in the beholder, be preserved. This would surely represent an untenable homogenisation of world cinemas actual diversity. Framegrab. To save this word, you'll need to log in. Citation: Studies in World Cinema 1, 2 (2021) ; 10.1163/26659891-01020001. The male protagonists crown of fern fronds and the young womans garland of leaves and bark skirt recall the almost identical natural attire of Matahi and Reri in Tabu and are a staple of visual representations of the South Pacific (Figure 1). This article evaluates whether Lawrence Venuti's translation approach of "foreignisation" is likely to achieve his stated go al: translations that can resist cultural dominance. Accessed 1 May. An exoticism is a word from a foreign language which denotes something (e.g. The attempt by the age of Enlightenment to study and describe the vast number of different peoples of this earth was thus soon reduced to a mere interest in costume and other extrinsic markers of otherness, which were eagerly displayed in the European homelands. (LogOut/ For instance, if I were translating the classic VW advertising text from the early 1990s, I might leave the German term for "the joy of driving" in German: "Fahrvergngen". ]6[I N*"=EE}-Sw"E~U ?&7t'>#^/ NgtAftaes`VL^rxJ?^A*u]^460/cl!Jb|@x7 t{%hmLa s?hWmP'EDdTB.A0E*!W;hQV:&V2L^eC`%FIHJ59%]iRH/" 3%hY]hF,`bd582TP?I5MsLK`_I?+i%S~'}\9, `3+_0X~^xjdiD- 2r=nl>&ZP%I]ALL!4\~KD`hIBK:R+S }l.~q BFcN}uZ^9$2.:-w\wmle=w uCXBw0!I-(>|v!8Zb?. X5foOkYTa+*roQ>6RWJrt=$U5lP/U//MqHOFp +T[O Racial Attitudes and Exoticism in the Old English 'Wonders of the East' The flare of recent racial tensions, especially in the wake of the Trump administration's xenophobic rhetoric, has had repercussions in Charlottesville and across the United States. The cultural translation of world cinema corresponds with the de- and recontextualization of the exotic, whose alluring alterity only manifests itself when it is perceived by someone belonging to a different cultural sphere. 303 0 obj Much of contemporary world cinema is, in addition, also transnational in terms of its modes of global cultural production and funding. VB144; London's Smaller Art Collections Week 9 THE DULWICH PICTURE GALLERY, Historians of Netherlandish Art Conference May 23 to May 26, 2018, Allegory on the Colonial Power. VW left that word in its ad in English to emphasize that the car is German, and to give the reader (or listener) the notion of something unusual and exotic, to underline that the car is made in Germany, and thus has great engineering, etc. Said, Edward. Homi Bhabha and subsequent scholars of hybridity and the encounters between subaltern and dominant cultures, therefore, make every effort to draw attention to exoticisms parodic dimension in order to empower and render eloquent its latent subversion of oppressive and exploitative fantasies. Insights and Discoveries, Amsterdam 2017, pp. 0 && stateHdr.searchDesk ? In A. Langer (Ed. Send us feedback about these examples. Whereas the agency implied in the act of seeing is a form of power, being looked at is disempowering (a point also made by Laura Mulvey (1975) in her seminal essay on visual pleasure and the gendered scopic regimes of classical Hollywood cinema). relationship between foreignisation and exoticism, which will be based . The study of world cinema is one of the most vibrant and fastest growing areas in film studies. . The Persian-European Dialogue in Seventeenth-Century Art & Contemporary Art of Teheran, Rembrandt and everyday life: the fusion of genre and history, in Arthur J. DiFuria, ed., Genre Imagery in Early Modern Northern Europe: New Perspectives, London and New York: Routledge: An Ashgate Book, 2016, 161-182. When letters make sounds that aren't associated w One goose, two geese. Rubensbulletin V (2014), pp. Experimente el exotismo de la Medina de Marrakech. The film was shot in the classic three-strip Technicolor process to achieve a richness of reds and yellows no longer visible in Hollywood cinema which abandoned the three-strip Technicolor camera in 1954. The exotic first emerged as a concept in Western history when European nations began to explore and appropriate far-flung parts of the world. The Location of Culture. 3. anything exotic, as a foreign word or idiom. In other words, the transnational dimension inherent in the concept of world cinema is constituted in the process of reception, as a film moves outside its own national sphere into another one. Fantasy, mans capacity to give to airy nothing a local habitation and a name, has long intrigued poets, playwrights, and painters, ANTHROPOLOGY AND ETHNOLOGY. xviixxii. For example, the documentary realist aesthetics of the Iranian New Wave films, which Nichols uses as a case study in his essay, is far too austere to qualify as exotic. Therefore, its best to use Encyclopedia.com citations as a starting point before checking the style against your school or publications requirements and the most-recent information available at these sites: http://www.chicagomanualofstyle.org/tools_citationguide.html. 265275. Previously, it was the role of China specialists to translate and introduce artistic works from China to the Western audience. In the West, ugly but resilient ideas about civilization, Post the Definition of exoticism to Facebook, Share the Definition of exoticism on Twitter. Situating World Cinema as a Theoretical Problem. ^?T{3. Against this background, contemporary world cinema and the global film festival circuit, its prime site of exhibition, can be understood as a new type of contact zone, which Mary Louise Pratt has famously theorised in the colonial context as the intercultural space of symbolic exchange and transculturation, catering for cosmopolitan cinephiles and their interest in cultural difference. Social and cultural differences exist between and amongst nations. Her transnational appeal rests primarily on her ability to signify Chineseness, femininity and mystery outside her own culture. Then, copy and paste the text into your bibliography or works cited list. rogerebert.com 27 March. Forsdick, Charles (2001). phil., Royal Holloway. 120. Nagib, Lcia, Chris, Perriam and Rajinder, Dudrah (2012). This is, however, not to say that all exotic films substitute glossy surfaces for deep meaning, thereby effectively compensating for the hermeneutic deficit that may arise when world cinema travels. Chinese Cinemas (18961996) and Transnational Film Studies. Dennison, Stephanie and Song Hwee, Lim (2006). endobj Professor of Film Studies, Dr. Sorry, preview is currently unavailable. Amsterdam: Rodopi, pp. There are three of these: 1. For some words, like "table", gender is fixed. However, most critics and scholars, especially in the West, see things differently and assume the position of moral gatekeepers. Saids study of Europes most enduring exotic fantasies about the Middle East set the beginning for other postcolonial interrogations of romanticized projections of the cultural other by which the West continues to assert its superiority. a person, an institution, an animal, a plant etc.) the quality of being unusual and exciting because of coming (or seeming to come) from far away, especially a tropical country: the exoticism of the East SMART Vocabulary: related words and phrases Exceptional qualities, things and people a gift from the gods idiom be a one idiom character curiosity distinction distinctiveness favoured gift Zeischtrift fr Interdisziplinre Hungarologie. Negra, Diane (2002). Imperial Eyes: Travel Writing and Transculturation. 1997. SEE ALSO Cannibalism; Enlightenment; Gaze, Colonial; Gaze, The; Orientalism; Other, The; Prostitution; Sexuality; Stare, The; Stereotypes; Tourism; Travel and Travel Writing; White Supremacy. Island Dreaming: The Contemplation of Polynesian Paradise. I think it depends on the context and situation. In: Isabel, Santaolalla, ed., New Exoticisms: Changing Patterns in the Construction of Otherness. During the nineteenth century exotic gained the connotation of a stimulating or exciting difference, something with which the domestic could be (safely) spiced. In most cases too, we find a country having several social/cultural diversities. As I have demonstrated elsewhere (Berghahn, 2017), contemporary world cinema offers numerous examples of how exoticism is harnessed to new ethico-political agendas and a diverse range of humanitarian and ecological issues that have nothing in common with exoticisms tainted colonial legacy. It thus follows that, the exotic is not [] an inherent quality to be found in certain people, distinctive objects or specific places (Huggan, 2001: 13), but instead denotes a particular perception of cultural difference that arises from the encounter with foreign cultures, landscapes, animals, people and their customs that are either geographically remote or taken out of their original context and absorbed into a home culture, essentialized, simplified and domesticated (Forsdick, 2003: 48).

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